2019 Soundtrack

It’s that time of year again – the time when I look back over the past year and decide what were the songs that mattered to me. Previous soundtracks are pre-2015, 2015, 2016, 2017 and 2018. The first soundtrack post is also an exploration of how I engage with music.

Firstly, songs from AIV2019:

  • Seal Lullaby by Eric Whitacre
    • despite being on the list last year, it gets another ‘honourable mention’, because we sang it in the concert as well as while floating in the sea at a social event.
  • Magnificat by Kim Andre Anderson
    • A beautiful work that set the words of the magnificat (Mary’s glorious speech from Luke’s Gospel), in Latin, to music. The work was six pieces long, with different tempos, a soloist and choral soloist (from the choir), and was very fun to sing.
  • Stars by Eriks Esenvalds
    • A beautiful work that set the words of a poem by Sara Teasdale to musical accompaniment made by tuned wine glasses, filled with specific amounts of water. These glasses were played by running a wet finger around the rim of the glass, and the amount of water in each glass corresponded to a different pitch.
  • Sure on this Shining Night by Morten Laurisden
    • A beautiful song musing about the beauty of faraway stars. It has some lovely lyrics, for example, “I weep for wonder, wand’ring far alone… / for shadows, on the stars…”
    • This song is included on the list, however, because at the AIV camp revue the Perth University Choral Society (PUCS) performed a filk of it – keeping the tune and pacing, but with alternative lyrics. To give you a hint, the title was “Sure on this Friday Night”, with the alternative title “Maccas Run”. We then performed this to the conductor later, just for laughs. Loved it!

Moving away from AIV, the next songs are a set of three about being true to myself. That was one of my themes for 2019, building on previous years. I haven’t shared all of that journey with you, but I think I’ll be ready in 2020 to do so. Starting now.

You see, I’m bi – and probably demi, too. Not to mention doubly disabled, having Dandy Walker Syndrome and being autistic. I’ll share more of my journeys of understanding those parts of myself with you in other blog posts. Now, onto the songs:

  • Brave (Sara Bareilles)
    • This song was first in my 2017 list, but it became more powerful for me in 2019. This song is a song that Sara wrote for a friend who was worried about coming out of the closet. Sara wrote it to encourage the friend to feel safe with her. This song is huge for me.
    • In 2017, I identified with Sara, though I was beginning to identify with the nameless friend. Now, I identify with both. I came out about my sexuality to my “choir family” at AIV, telling my truth as an intro before I sang Brave to them. I then repeated the song as a solo performance at the semester 1 LaTUCS concert. While the intervarsity choir community definitely isn’t perfect, without their support, it would’ve taken longer to discover who I really am, I think.
  • Welcome to My Truth (Anastacia)
    • A song about being true to yourself, despite everything that gets thrown at you, and living your dreams. It’s about finding the courage to take off the “mask” you’ve been wearing as a disguise, to show and be proud of your true self.
    • I heard this song when I was about to come out as bi to other important family in my life. It reminded me that whatever the outcome, I know myself and my dreams – and what I don’t know, I’m finding out for myself.
  • Bohemian Rhapsody (Queen)
    • LaTUCS sang this song as part of our semester 1 concert. (We also watched the movie later.) I identify strongly with parts of this song for similar reasons to the above song.
    • It’s a well-known song, but if you really listen to it, it’s also a song about pain, rejection, loss – and choosing what matters to you and how you recover from it. In a way. I certainly took it that way when we ran through it at choir the week after I’d had a particularly important conversation that led to a rejection of part of my identity by others.

In 2019, I trialled going to two intervarsity choirs each week during semester. While I don’t think I’ll do the same this year (it was a bit much for me to continue on a regular basis), it was still fun.

  • MonUCS songs:
    • One of the MonUCS songs I did was Song of the Dragonborn (Skyrim: Main Theme) (Lindsey Stirling, Peter Hollens).
    • We did plenty of others, including a performance of Brahms’ German Requiem, but that’s the one that sticks in my head most.
  • LaTUCS songs:
    • Songs sung by LaTUCS this year included:
      • Counting Stars (OneRepublic),
      • Northern Lights (Ola Gjello),
      • What a Wonderful World (Louis Armstrong),
      • True Colours (Cyndi Lauper), aaaand:
      • The Four Chords Song (Axis of Awesome).
    • Do yourself a favour and check out the latter here. It’s cool.

Edited to add: I can’t believe I nearly forgot the Come From Away soundtrack. I’m going to put Welcome to the Rock and Me and the Sky in here too.

That was my soundtrack for 2019.

In 2020, I hope to stop procrastinating and purchase songs on my to-buy list, keep singing in LaTUCS, go to QIV2020, attend other choral concerts and singing opportunities, and keep developing my appreciation for how music moves me. In that light, I thought I’d end by quoting a blog post I wrote back in October.

I have several passions …. [including] music; listening to it, relaxing with it, and performing it.

Last Friday’s [Brahms] concert was fantastic. It was hard work – I wasn’t as relaxed as I was in other concerts. But I feel really happy about it all the same. The reason for that is …. a number of people were there who’d personally either bought a ticket from me, or came at my recommendation, because I was singing.

Afterwards, they were of course the people whose opinions I cared about the most. So to see their happiness and excitement at what we’d performed – pardon the pun, but it made my heart sing. When someone else gets a thrill from watching me do something I love and do it well – it makes me very happy. It fills me up, completely.

Partly, it’s because it is a gift that is shared. I am forever sharing “me” through my passions. But society’s rules and expectations, the way that quirkiness is looked down on because it’s different, meant that I struggled with fitting in for a long time. Anxiety, especially social anxiety, is a leftover gremlin from that. Finding LaTUCS, then the rest of the choir network, helped me become more comfortable in being “me” – because in the choir(s), we’re united through a love of music and a love of sharing that through choral singing. Regardless of our differences.

Being able to share that with the people I love, my friends and family, is wonderful. So I say to you: support your friends in their passions. Go see us perform, or ask us about our current project. Watch us light up and understand: It means the world to us. Often, we’ve spent a long time hiding or minimising our passions and ourselves. Being supported and seeing our friends enjoy what we do? It makes us feel seen. And loved.

Taken from “Reflections”: October 7th 2019. https://myzania15.wordpress.com/2019/10/07/reflections-2/

MIV2018 Festival Wrap-up

Hi all. It’s been a couple of weeks…but very good ones.

MIV2018 was a blast. So much fun. I challenged myself in a few ways,  participating in different social events in ways I hadn’t done during my last IV. Here’s an idea: participation pays off. I had a really good time and even won a few times at different social things – which I was not expecting. Participation would have been prize enough. Enthusiasm leads to fun!

I’m not going to lie, it was full-on. IVs always are, especially the first half. Rehearsals for six hours a day, then social events in the evenings. This time, being Social Secretary, a part of me was always busy – mentally or physically – making sure things were running smoothly. By the end of the day, I was quite tired and rather “peopled out” – unusual for me!

I loved organising the social events though. I really like being (one of) the host(s) and seeing people having fun, making new friends and participating – like I said above, it all pays off.

The rehearsals were really good – we had a really good conductor who engaged us well. Patrick Burns got us – or at least me – thinking about the music in particular ways and working together to produce the desired quality sound. We had sectionals where our assistant conductor Leonard Weiss worked with Pat and us in two halves – sopranos and altos in one group, tenors and basses in the other.

One thing I love about rehearsing and performing in big choral groups is the journey from a diverse group of voices just starting to learn the music, to a cohesive group who’ve learnt their parts and sound confident and powerful. It’s bloody fantastic and with IVs, the process only takes ten days! I remember the first time we started feeling really cohesive (for me) – I was singing along as we ran through a piece. I heard the rest of us singing and realised, “This is going to be a great performance.”

I was right. 🙂

We sang really well, if I do say so myself. We heard great audience feedback afterwards too. It was a real treat to sing the pieces – I don’t know if I can pick a favourite, but all have taken turns popping up in my head since.

Thanks, MIV2018.

(Click on the pic for a caption – they’re not in date order, just for fun.)

MIV2018 Festival Opens Today!

After many months of prep, today is the day! Hooray!

If you’re coming, I’ll see you at camp dinner this evening. If not, maybe I’ll see you at the concert? 😛

I can’t wait to see all my friends and have a fantastic time.

Get tickets here: https://www.eventbrite.co.uk/e/light-the-dark-tickets-39366091038?aff=es2

See the Facebook event here: https://www.facebook.com/events/305903166591081/

And doesn’t our concert flyer look amazing?

(Link to a shareable version here: https://drive.google.com/file/d/0BwdTWPS792Wnajl5a2w1anlxUzBQTm5OOVpvV0NCTnVvRU9F/view )

If you can’t make it or even if you can, please share these links and the flyer around. The concert is going to be really good, I can feel it, and I want everyone else to hear about that. 😉

2017 Soundtrack 

It’s that time of year again, where I compile a list of songs that mattered to me this year.

1. Think of Meryl Streep (from FAME!) – due to a powerful political moment by Meryl Streep at the start of the year that I blogged about then.

2. Bread and Roses (and maybe also Power in a Union). First one is a folk song, the second is by Billy Bragg. They reference the Women’s March and surrounding politics.

The next are a bunch of love songs that speak to me. I first listened to them on Triple J and they remind me of feelings I felt then and feel now.

3. Thinking Out Loud (Ed Sheeran)

4. Say My Name (Tove Stryke)

5. I Want Something Just Like This (The Chainsmokers)

The next one is one of a bunch I heard when watching my first Eurovision Party this year.

6. Eurovision 2017:

Running on Air (Nathan Trent)

Lights and Shadows (O’G3NE)

Origo (Joci Pápai)

Where I Am (Anja)

My Friend (Jacques Houdek)

Grab the Moment (JOWST)

Story of My Life (Naviband)

Beautiful Mess (Kristian Kostov)

I Feel Alive (IMRI)

Yodel It (Alex Florea & Ilinca)

Gravity (Hovig)

Fly with Me (Artsvik)

Flashlight (Karsia Moś)

Amar pelos dois (Salvador Sobral)

City Lights (Blanche)

Don’t Come Easy (Isaiah)

Never Give Up on You (Lucie Jones)

Next are some from the concerts of the year:

7. Te Deum (from the MonUCS May concert, Choral Icons). First time I’d heard this song and I still remember it well. From the same concert, other standouts included Five Eyes and Vivaldi’s Gloria.

8. Peace/ Equip Yourself for Life, Pink Telegram, 0808, and other songs from the John Monash Peace Cantata – a highlight of the year and one I’m proud to have participated in. My only regret is that uni prevents me from participating in the overseas performance next year.

9. Pirates of Penzance (from MonUCS’ performance). I find myself humming songs from the production at times still. I’m not singling out any because they were all very good.

10. ETA: Mr Brightside (by The Killers). Purely because hearing it reminds me of the 2017 AFL Grand Final, with all its emotions. #gotiges

11. Finally, Christmas songs. This year, those include adapted versions of Winter Wonderland and White Christmas as for once they were almost appropriate. As well as “Green Book Carols”, from MIV carolling gigs and LaTUCS’ carols performance. Also the Vaughn Williams’ piece, Fantasia on Christmas Carol. I was reminded of the piece at the start of December and realised that I really had had a good year, as the last part of the piece hoped.

There might be more, but I think ten is a good starting point! Happy New Year everyone. I’m currently finishing this on a plane that’ll land back in Australia from Japan in a bit under an hour. I’ll post this then.

Keep an eye out for the rest of the Japan Trip posts this week and I hope you have a good year ahead of you. I reckon I do, but I know it’ll be busy too. MIV2018 starts on the 11th after all…

Merry Christmas to You

I haven’t yet had a chance to put together a complete version of days 4-7 of the Japan trip. Hopefully that’ll occur soon. Before a “days 8-11” post anyway.

Instead I’ve opened this draft about Christmas. It was originally going to be mainly a collection of Christmas songs, as I did last year, but then I got thinking.

Christmas and other Year’s End celebrations are a collection of rituals. There are the obvious thematic ones – religious and secular. Then there are the family/ cultural ones which are interconnected but distinct.

For example, I celebrate Christmas as a religious commemoration with Mass. While the way I believe has changed as I’ve grown up, being unable to continue the tradition of going to Mass at Christmas (and during the year tbh) would feel strange. So I’m glad we’re able to do it while travelling still.

Then there’s the secular side of things. Santa Claus promoting gift-giving and receiving with the “season of goodwill” – or season of consumerism! 😛 I follow the guide of “something to wear, something to read, something they want, something they need” when picking presents to give.

And the family traditions… each is different – and subject to change as circumstances change. Though this is where one feels a change the most.

When I was growing up, we’d open presents once everyone woke up on Christmas morning. We weren’t allowed to get up before 07:00 though. We might go to Mass at 09:00 or have gone the night before.

We’d have Christmas lunch at home and probably try out a few presents. The big event was in the evening. We’d head off to Grandma’s to see all the aunts, uncles and cousins on that side of the family. There’d be backyard cricket and games, plenty of talking and catching up, a large spread of dinner and dessert, then the family Kris Kringle.

If we weren’t at Grandma’s we’d have headed up north to see my other grandparents.

In recent years things have changed a little. I’ve moved away from the family home and I have a second family in my partner’s now too. I don’t know what the future holds, but last year had the feel of a new tradition being built. Not to replace the old entirely but to enhance it anew.

Then of course, there will always be years where circumstances are just different, full stop.

Like this year, where my Christmas might even be a white one.

Christmas carols

There are more carols than the following but here goes. Favourites

LaTUCS 2017:

Songs I learnt as four-part harmonies and sang with my choir this year.

  • Away in a Manger
  • Ding-Dong Merrily On High
  • God Rest Ye Merry Gentlemen
  • Good King Wenceslas
  • Hark the Herald Angels Sing
  • It Came Upon the Midnight Clear
  • O Come, All Ye Faithful
  • O Little Town of Bethlehem
  • Carol of the Bells

Others:

  • Silent Night
  • O, Holy Night
  • Sleep, Little Baby, Sleep
  • The First Nowell
  • The Shepherd’s Farewell
  • Fantasia on Christmas Carols (Vaughn Williams, a beautiful one I sang last year)
  • A Merry Christmas To You (/ Chestnuts Roasting On An Open Fire)
  • O Come O Come Emmanuel

Japanese Christmas:

Went to 22:00 mass and everything was in Japanese. But the parts of the Mass were familiar, and some songs sung were carols. If I had had the phonetic writing of words instead of just the Japanese characters in front of me, I could’ve sung them as I knew the tunes.

  • Come All Ye Faithful
  • Angels from the Realms of Glory
  • O Little Town of Bethlehem
  • O Holy Night
  • Joy to the World

“An ORGANic Christmas” Concert Review

Last Saturday’s concert from MonUCS (Monash University Choral Society) was really good. It had fun pieces and grand pieces and carols. An organ accompanied some songs.

Their opening piece (Regina Coeli from Cavalleria Rusticana by Pietro Mascagni) began with quite the entrance. The choir walked in two columns between the audience seats in order to get to the front of the church to perform from. I thought that was pretty cool.

There were the pieces I hadn’t heard before, sung with vocal strength and expression. Operatic choruses which were gorgeous to listen to and surprising, emotional and sweet by turns. Some of these pieces had soloists – all of whom performed very well. These pieces included the Priest’s Chorus (from Die Zauberflote), Chorus of Enchanted Islanders (from Alcina), Dido’s Lament and Final Chorus (from Dido and Aenea) and even a humming one, Humming Chorus (from Madame Butterfly).

I thoroughly enjoyed myself as I watched my friends perform after weeks of hard work. I also enjoyed singing along to some of the carols as we were encouraged to do – though only at mezzo piano volume so as to hear the actual choir. The carols were not all your usual fare – in fact, two of them I only knew thanks to the carolling gigs last week. That made it all the more fun. Carols included Infant Holy Infant Lowly, Zither Carol, Gloucestershire Wassail and others.

The choir were balanced beautifully, each section blending well (the ultimate goal) while holding their own parts in a superb manner. Each section also had its chance to shine, enabled by the range of songs chosen. For example, it was noted that the tenors sang “without hesitation … and with a wonderful lightness” as one friend put it. The altos were the smallest section of the four, but it didn’t feel like it. The basses carried the bottom range as they are supposed to, giving strength and resonance, while the sopranos were glorious on top.

Bravo, MonUCS! I look forward to seeing what you’ll do next year – and to singing with some of you at MIV. Well done!

 

 

 

 

Hip hip huzzah for a wonderful Pirates concert

As my post on Friday indicated, on Sunday evening I went off to see The Pirates of Penzance by MonUCS. It was a fantastic show. As I reflected on earlier this year, there’s something really nice about watching your friends perform a great show, knowing that they’ve been working towards it for months. 

It was really, really fun. I’d never seen it before, which made it all the more special. It was both fun and funny, touching on themes of duty, family and choice but mostly just being a jolly good romp. For some time I’d been avoiding spoilers of songs and so on, but since the concert they’ve been running through my head, competing for attention. They were well-sung after all. Acting was also very good. I could tell people enjoyed themselves on stage just as we enjoyed watching them. 😉 

Afterwards (after packing up or “bumping out”) we went off to a choir member’s house for more singing, food and conversation. Fun! 

As I said afterwards, I’m so proud of all my friends. Well done! I can’t wait for the projects to come. 

MonUCS Presents: Pirates of Penzance 

I’m going to see a show on the weekend and I. Can’t. Wait!! My boyfriend and a number of friends in a fellow university choir, Monash University Choral Society (MonUCS) are performing in a musical production: The Pirates of Penzance! 😀 I’ve seen some promo shots and it all looks so good… read on for a full description I grabbed from the public Facebook event. Tickets on sale now – see links at the bottom. 

Monash University Choral Society presents Pirates of Penzance! 

Join our rollicking band of pirates, police & beautiful maidens for a familiar tale of love, duty, and a surprising amount of orphans. Our production of Gilbert & Sullivan’s iconic operetta is a highly entertaining mix of ‘classic’ and ‘pop-culture’ jokes and freshly spun hilarity, which will surely engage both new & long term G&S fans alike. Follow the unlikely journey of young Frederic, who is ready to leave his pirating days behind him and learn the ways of the world (and its women). But the seas of life and love are seldom smooth sailing…

Our talented cast will leave you with a smile on your face, and a song in your heart. Book now!
Directed by Robert Dora & Helen Vice

CAST

Frederick – Naomi Hyndman

Mabel – Eloise Wilmann

Pirate King – Rohan Wilksch

Ruth – Alex Lewis

General Stanley – Nick Power

Samuel – Kevin Hendrey

Edith – Beth Stimpson

Kate – Angeline Seow

Police Sergeant – Daniel Yeaman
Ticket Prices

$30 full fee

$25 concession

Available for Purchase via http://www.trybooking.com/RODW

https://www.facebook.com/events/167070257187573/

MIV2018 Update: Free the Freshers! 

MIV2018 Header: MIV written in bright bubble writing, with 69th Australian Intervarsity Choral Festival, Melbourne 2018 in pink teal and white is on the left side. The right side has
Another month has flown past! We’re now less than FOUR months away from the festival! Wow!! 

With that in mind, here’s the latest mail-out. It’s announcing a bit of friendly competition to get more freshers to IV, continuing the hunt for a Merch Officer, giving details about the next social event (I helped write that bit 😉 ), and reminding everyone that registration is open (2 months until timely registration ends so get cracking)! 

____________________________________

From the Convenors’ desk…

There’s nothing like being a Fresher at IV. And there’s nothing like a bit of friendly competition between AICSA choirs.

Here at MIV2018, we’re combining the two in our Free the Freshers Competition.

Two FREE Fresher Registrations are up for grabs across two categories. So each choir gets TWO CHANCES TO WIN! 

Category One: Awarded to the choir who registers the most Freshers. 

Category Two: Awarded to the choir who registers the most members (fresh and not so fresh) to attend MIV2018. The figure is calculated as a per capita proportion of the choir (based on the census data recently and generously provided by your committees). 

The competition is open NOW and closes at the end of timely registration (Midnight 11 November). 

After that we’ll be busy notifying the winning choir(s) who can allocate their FREE Fresher Registration however they wish. 

They could nominate one Fresher to have their registration fee reduced to zero; split the credit among multiple Freshers to partially reduce the cost OR… actually we think those are the only two options. 

So get fighting for your Freshers to party at IV! Every registration received before 11 November bring the prize closer to your choir. Keep an eye on the total current registrants from your choir. More detailed breakdowns and current competition winners are visible to registered and logged in users. 

The MIV2018 Committee will determine the competition winners based on registrant information and relevant calculations. Committee decision are final and no debate will be entered into.
Join the MIV2018 team as our Merchandise Officer

MIV2018 committee is currently taking expressions of interest for the role of Merchandise Officer.

If you have a passion for choral fashion (and a deep-seated love of spreadsheets) then we’d love to hear from you.

To express your interest please reply to this email or email me directly at secretary@miv.org.au.
Save that (one) day in September

September is a busy month in Melbourne. The wonderful MIV host choirs are preparing for concerts, with LaTUCS and MonUCS performing in September and ROCS performing in October. Meanwhile, there’s sport, sport, sport going on outside.

Come join your choral family to fanatically watch the big game, dip your toes for score updates or ignore it completely with card games, board games and more.

There’ll be BBQs available for pre-game lunch and a tuck shop full of munchies to keep you fuelled for the afternoon.

More details for the Post/Pre Concert Party (that you don’t have to organise) will be released on Facebook and via email soon.
Registration is open.

In less than six months you could be taking the stage with us, a full orchestra and hundreds of fellow choristers to be part of this once-in-a-lifetime musical experience. But you must register to secure your place.

The summer of ’69 will be here before we know it. Register now to be part of the magic. We can’t wait to see you in Melbourne next year!

Peace and love, 

Alex and El xoxo

REGISTER FOR MIV2018