Some very good points made here.
So, it’s been over a year since I dislocated my kneecap. Phew!
It was not the most significant personal event of the year, but it was significant enough. I still have to remember to try and do knee exercises (recommended by the physio) to keep the muscles strong. In the end we decided against operating as it wasn’t clear if it’d help more than harm in the long run.
It was an experience, that’s for certain, which gave me a new perspective. Thanks again health system, doctors, nurses and other staff.
In the weeks afterwards I had to rely on people differently for a while, which was a good thing. It’s also made me slightly more spatial aware than I was, because now I’m somewhat paranoid about my knees banging into things. It still happens occasionally though.
WordWitch makes a good point here. I tend to use music as a buffer. I’ve started putting on my “soundtracks” playlist when I’m in a “get-stuff-done” mood, at least for uni things. Last year I used a miscellaneous playlist that included most of my music choices, but when you’ve got earphones in your ears (instead of listening via speakers) it’s a bit different.
These WT&TT posts will continue, but I have to admit I’m stalled at the moment, writing-wise. I just have too many other demands on my time.
Source: Five Things: Music to Write By
Public transport is useful. It can be annoying. It can also be good.
We’ve all had (more than) our fair share of having to stand all the way to our destination, just because it’s peak hour and you’re travelling with the peak not against it. (Yes, this is worse on different lines.) Or the times when you’re travelling against/ outside of the peak can actually sit down and relax.
When we’re all in the same boat – sorry, carriage – during the peak, a fleeting camaraderie can form, as the standing people shuffle around at each station to let others out and in, then reposition themselves and their belongings so that there’s less chance of knocking into someone as the train moves. Knowing that everyone has to share the same space.
I enjoy public transport, most of the time, because it means I’m not having to think too much about getting from A to B. I prefer trains because it feels faster than other options a lot of the time. Trams and buses have their uses, too, but trams seem slow a lot of the time and buses have to deal with traffic. I like the SMART buses when going somewhere new via the road – it means I can be a bit more relaxed about getting there.
When you travel on public transport a lot, on particular lines/routes, you get to know them. The amount of time it’s going to take from A to B stopping all stations on a train, for example. Where the nice scenery is (like the bridges over the Merri Creek area near Westgarth and Rushall stations) and where the platforms change sides, if they do.
Melbourne’s public transport network is like a giant spiderweb. My main gripe with it is that the web of train lines is like the axle and spokes of a wheel, with the outer rim only provided by buses. Why do we have to go all the way into the city, just to go out again?
I like the network because it gets me where I want to go – to see family, my boyfriend, friends; to go to events or do other things.
I love warm weather. But the current circumstances are a bit out of the ordinary….
And I’m having to be so very busy in it.
Why is that whilst male action stars have only gotten bigger and stronger looking since the 1980s, the female ones seem to have gotten slimmer and weaker looking?
11th March marked 10 months to go until the Melbourne Intervarsity Choral Festival 2018.
“Ten months?” I hear you say, “But that’s still ages away!”
My reply to that is both yes and no.
To an excited chorister, especially one who missed out on the Perth IVCF 2017, it does feel like a while. An Australian autumn, winter, spring and Christmas/New Year must pass before it arrives. Plenty of local choir action must, too, including individual exciting projects. (Yay!)
But to a MIV Committee member, ten months is not very long at all. In my role as Co-Social Secretary, we’re aiming to have a social gathering at least every couple of months, if not sooner. My workload is going to increase as the year goes on and time grows shorter, but it’s not starting at nothing. The next social event is planned for three weeks away!
On the 10-months-out date, I spent my morning helping out at a Fundraising BBQ at Bunnings. It was fun, if rather hectic at times. I was the bread-woman – I ensured our tub of bread slices was kept stocked fresh, I took the bread slices (often one in each gloved hand) over to the BBQ-man and held them while he placed the sausage (with or without onion in) then handed the full lot to the customer, who’d already paid our cash-woman.
It was sort of fun – we took turns putting our own music through some speakers, leading to more than one occasion of singing along to songs!
We joked that it was “democracy sausages without the election“. 😛 (link to photo on MIV2018 Facebook page – go on, like them while you’re there?)
It was also quite tiring. Not so much the fact that I was on my feet for a good four or so hours doing things, but the social-cognitive stuff was what wore me out more I think. There were times when I was performing the routine described above repetitively without a lull. It was grab bread, listen to order, remember it, turn to BBQ, fill order, turn and locate person, repeat. Sometimes I’d have to multitask if two people wanted one sausage each (so that’s one order per hand) – which could be interesting if one wanted onion and the other didn’t! I got used to repeating, “one with, one without” and “two with” and “two without” and so on. Phew!
I’d do it again though. 😉
Another thing that happened on the 11th was the release of the latest MIV Mailout, to coincide with the ten month mark. In it we introduced our musical director!
Our Musical Director is Patrick Burns. Here’s his bio, courtesy of this link from the MIV Facebook page – I would have embedded it properly, but it doesn’t seem to like that given there’s a picture with it.
“Patrick began his conducting studies whilst completing his under-graduate studies at the Queensland Conservatorium. He is an alumni of the Symphony Australia conductor development program which has seen him participate in workshops across Australia with Orchestra Victoria, the Adelaide Symphony Orchestra, Queensland Symphony Orchestra, and Tasmanian Symphony Orchestra and also in New Zealand with the Auckland Philharmonia under the guidance of Christopher Seaman, Johannes Fritzsch, Sebastian Lang-Lessing and Baldur Brönnimann.
From 2010 to 2014 Patrick was the Music Director for the Monash University Choral Society and from 2011 to 2014 was also the Music Director for the Victorian Youth Symphony Orchestra. In 2014, he was made a life member of MonUCS for his contribution and dedication to the choir. He is currently the Chief Conductor for the Ipswich City Orchestra in Queensland and has held the position since 2008. Patrick is also the Music Director for the Melbourne-based artistic collaboration, XL Arts.
In 2015 Patrick travelled to Bulgaria to participate in the Blue Danube Opera Conducting Masterclass with the Bulgarian State Opera. As a result he was invited to conduct a performance of Verdi’s Rigoletto at the Bulgarian State Opera House in Rousse. He was also recently awarded the Jury’s Special Prize at the 2015 Blue Danube International Opera Conducting Competition. In 2016, Patrick returned to Bulgaria to conduct performances of Verdi’s Nabucco Puccini’s Turandot and also a symphonic concert with the Pazardzhik Symphony Orchestra. In 2016 Patrick was also awarded the Orchestra’s Prize in the Black Sea Opera Conducting Competition held at the National Opera Theatre of Romania in Constanta.
We’re thrilled to be working with Pat to bring you a gorgeous repertoire and an exciting festival experience.”
It’s so exciting. There’s plenty of more cool things to be announced or in the pipeline to happen…why not sign up to the mailing list at miv.org.au to keep informed?
RISE are a group of “refugees, survivors and ex-detainees”, who help out refugees in need.
Their Melbourne foodbank could use a little love (see attached pics).
Also, I’m supporting their call for the Palm Sunday rallies (and other “supportive” spaces to have more direct involvement (e.g. Speakers) from refugees, especially ex-detainees. Not just advocates speaking on behalf of them. Solidarity means putting those affected first, by creating spaces for them to share their stories (for starters)… See this link for more info.
Rest is in pictures because reblogging etc. from the Facebook mobile app isn’t the best.
Happy International Women’s Day, all. Here’s a good piece about intersectional feminism.
If my feminism doesn’t recognise different struggles of class, race, disability and sexuality, then it’s not really feminism.
Currently sitting at uni listening to some live music by women, about to support the IWDA by buying a few baked goods. Then I’ll knuckle down to study.
Last year in May I published a post about my intersectionality. It’s due for an update, soon.
I need to think about this for my story….
The idea for today’s Twin Thursday post actually came from my real outside-of-writing life. Be sure to follow the link at the top right to Chicken-Scratch Plot for Rachel’s take! Confes…