Last Saturday’s concert from MonUCS (Monash University Choral Society) was really good. It had fun pieces and grand pieces and carols. An organ accompanied some songs.
Their opening piece (Regina Coeli from Cavalleria Rusticana by Pietro Mascagni) began with quite the entrance. The choir walked in two columns between the audience seats in order to get to the front of the church to perform from. I thought that was pretty cool.
There were the pieces I hadn’t heard before, sung with vocal strength and expression. Operatic choruses which were gorgeous to listen to and surprising, emotional and sweet by turns. Some of these pieces had soloists – all of whom performed very well. These pieces included the Priest’s Chorus (from Die Zauberflote), Chorus of Enchanted Islanders (from Alcina), Dido’s Lament and Final Chorus (from Dido and Aenea) and even a humming one, Humming Chorus (from Madame Butterfly).
I thoroughly enjoyed myself as I watched my friends perform after weeks of hard work. I also enjoyed singing along to some of the carols as we were encouraged to do – though only at mezzo piano volume so as to hear the actual choir. The carols were not all your usual fare – in fact, two of them I only knew thanks to the carolling gigs last week. That made it all the more fun. Carols included Infant Holy Infant Lowly, Zither Carol, Gloucestershire Wassail and others.
The choir were balanced beautifully, each section blending well (the ultimate goal) while holding their own parts in a superb manner. Each section also had its chance to shine, enabled by the range of songs chosen. For example, it was noted that the tenors sang “without hesitation … and with a wonderful lightness” as one friend put it. The altos were the smallest section of the four, but it didn’t feel like it. The basses carried the bottom range as they are supposed to, giving strength and resonance, while the sopranos were glorious on top.
Bravo, MonUCS! I look forward to seeing what you’ll do next year – and to singing with some of you at MIV. Well done!